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VANNA BARDOT X NAZ X EMS #122

A film collaboration series with EMS and Dave Naz. @ericminhswenson @davenaz Dave Naz is a photographer of sex and meaning, women and landscape. Innovative and self-taught, Naz has five well-received books with Goliath Press: Lust Circus (2002), Panties (2003), Legs (2004), Fresh: Girls Of Seduction (2006), and L.A. Bondage (2007). His work has appeared in GQ, Maxim, Stern.de, and Salon, and in international collections, including The New Erotic Photography (Taschen, 2007) and Self-Exposure: The Male Nude Self-Portrait (Universe, 2005). Naz's photographs are shown in galleries all over the world. He lives with his wife, Oriana, in the foothills above Southern California. davenaz.com

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NEDA - By Kawehi (WARNING: MATURE CONTENT)

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BEFORE YOU WATCH THIS VIDEO, BE WARNED THAT THERE ARE IMAGES THAT MAY BE DISTURBING TO WATCH. *UPDATE: I'VE DECIDED TO GIVE ALL OF THE PROCEEDS FROM NEDA AND VOX TO UNITED FOR IRAN. TO Get VOX, NEDA AND TO SUPPORT PEACE AND LOVE IN IRAN: kawehi.bandcamp.com/album/vox Wasabi! First up off of VOX: NEDA. Neda Agha-Soltan was a 26 year old woman who died by a fatal shot to the chest by Iranian authorities during the 2009 election protests. Her death was captured on video by bystanders, put on the internet, and went viral around the world. Neda became the face of Iran's democracy movement - and the voice of women in Iran. An anonymous Kickstarter song pledger gave me free reigns to write about whatever I wanted - and after hours of research on NEDA, I didn't feel right about writing another silly love song. There are more important voices that need to be heard - and this time, I choose for it to belong to one woman: Neda. Everything about this video and song were done by Paul and I. The entire track is all vocals - everything you hear was a sound made by me. I wanted VOX to be simple - one instrument, one me. And the video - was shot with no money, no crew - just Paul and his one camera. We did the best we could - with the little we had - and I'm pretty happy with the outcome. Who says you can't accomplish anything DIY? I chose to include real footage in the video - and although it is very sensitive material, I thought it was important for everyone to witness. She is an inspiration to me and to us all as a human race. As always, say Wasabi: facebook.com/iamkawehi xo. k. UPDATE: A bunch of people asked for me to post the lyrics...here they are: NEDA You know you're screwed when you're walking on shells and fire's burning like a demon from hell In your lungs, to your tongue When a teacher does his best to protect but still a bullet finds its way to her chest she said, "Burning, I'm burning!" Feel the earth rumble no one's safe - on the streets of Tehran You can take my eyes But leave your stones in your gardens Your rivers, your roads You can take my eyes You can claim that the way I dress is offensive to your God They want you gone and silent, declare you a martyr and let the streets run violent Do your best to comply a pension for your lies They said, "Neda, don't be afraid, don't be afraid" "Neda, stay with me, stay!" You can take my eyes But leave your stones in your gardens Your rivers, your roads You can take my eyes You can claim that the way I dress is offensive to your God I am responsible I know that now The laws are so simple; you let what you allow I know that now A voice should be heard You showed me why and how "Neda, don't be afraid, don't be afraid" "Neda, stay with me, stay!" You can take my eyes But leave your stones in your gardens Your rivers, your roads You can take my eyes You can claim that the way I dress is offensive to your God peace and love to all of you.

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PSMG: Dynamic structural equation modeling of intensive longitudinal data using Mplus version 8: Part 1

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Ellen Hamaker, Ph.D. Universiteit Utrecht 03/14/2017 *** For additional Mplus resources, please visit statmodel.com/ *** Mplus Version 8 features new methods for analyzing intensive longitudinal data such as that obtained with ecological momentary assessments, experience sampling methods, daily diary methods, and ambulatory assessments. Typically, such data have a large number of time points, T = 20-150, and may come from a single case (e.g., person or dyad), or multiple cases.In this first of a series of three talks, we will begin by explaining how intensive longitudinal data differs from other forms of data, such as cross-sectional and traditional panel data. We will argue that a particularly valuable feature of intensive longitudinal data is that they allows us to study the dynamics of processes over time. This can be done by using time series analysis, a class of statistical techniques that is very popular in fields like econometrics. However, time series analysis is typically restricted to single case data.Dynamic structural equation modeling (DSEM) as it is now developed and implemented in Mplus version 8 allows for the analysis of time series data from a single case, but also allows for multilevel extensions of these models, such that quantitative differences in the dynamics of different cases can be accounted for by the inclusion of random effects. We will present two empirical applications to illustrate the modeling opportunities that DSEM offers. Part 2 on DSEM in Mplus Version 8 builds on Ellen Hamaker’s Part 1 introduction and describes further DSEM analysis possibilities. Advantages of the Bayesian analysis used for DSEM over ML are briefly discussed. To put the new modeling features in a familiar context, the shortcomings of conventional growth modeling approaches using wide and long format for intensive longitudinal data applications are contrasted with the flexibility of multilevel time series modeling for these data. A series of increasingly more general models are explored using data from a smoking cessation study with N=200 and T=100 (five random measurement occasions per day for 20 days). The starting point is a two-level model with random effects as in Hamaker’s presentation. Cross-classified time series analysis is then introduced where subject and time are crossed resulting in more flexible modeling than possible with two-level analysis in that the random effects are allowed to vary across not only subjects but also time. The cross-classified analysis is used to identify which random effects vary across time and to get an idea of time trends. Trend analysis is then added to the two-level time series modeling in a general time series version of the conventional two-level, long format approach. The advantages of the cross-classified analysis as compared to Time-Varying Effect Modeling (TVEM) are discussed. Throughout the presentation, new time series plots are shown. The modeling part of the talk concludes with a brief overview of two-level and cross-classified DSEM factor analysis with random measurement intercepts and random loadings. In closing, new non-time series features in Mplus Version 8 are mentioned, including two-level modeling with random variances; two-level random autocorrelation modeling for short longitudinal data; standardization for two-level models with random slopes and random variances; random slopes for covariates with missing data; new within/between scatter plots and histograms for two-level models, including sample and model-estimated cluster-specific means and variances; new Posterior Predictive P-values for BSEM; and output in HTML format.

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Abverkauf des Häßlichen - Peripetie

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bankett.org Nimm die Zahnspange raus und putz dir die Zähne, kämm dir die Haare und brich dir die Nase. Spritz deine Lippen auf, damit die Leute daran hängen bleiben und dich mit anderen Augen sehen. Lass die Durchschnittlichen an der Karriereleiter herumklettern und steig ein ins Lifting zur sonnigen Oberflächlichkeit der Schönen und Reichen. Nur wen man anfassen will, wird auf Händen getragen. Werde, der du bist -- aber schöner, denn mit dem Gesicht kannst du nichts verkaufen. Der Häßliche ist eine vielfach ausgezeichnete, spielerische Satire des deutschen Dramatikers Marius von Mayenburg, die sich konsequent der wirtschaftlichen Logik in der beruflichen, privaten und öffentlichen Existenz hingibt und den Individualismus auf die Spitze treibt. In der ersten Produktion von "Bankett" kommen VertreterInnen aus allen Richtungen des professionellen Nachwuchs an einem Tisch zusammen. Die Schauspielströmungen „Freie Szene", „Max-Reinhardt-Seminar" sowie „Konservatorium Wien" verformten sich in den Probehallen zu einem eigenen Stil, der am 19., 20., und 23. Juni noch einmal durch das Publikum vervollständigt wird. „Wollen wir nicht langsam ins Bett gehen? Jetzt, wo wir reich und schön sind? Damit wir glücklich werden und schlafen können?" Der Häßliche von Marius von Mayenburg Eine Bankett Abend Schauspiel: Katharina Breier, Bastian Parpan, Nancy Mensah-Offei, Ben Pascal Regie: Patrick Rothkegel und Julian Vogel Produktion: Sophie Schmeiser Eine Koproduktion mit Pufferfish und Palais Kabelwerk Unterstützt von Cash for Culture, ÖH Uni Wien, FV Gewi, IGPhilosophie, bagru thewi, STRV/bagru Soziologie, IG KSA Vielen Dank an Luke Baio, Moana Stemberger, Georg Eckmayr, Gordana Crnko, Dominik Grünbühel und Johanna Franz.

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