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The Inbetweeners Movie - "The Dance"

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BASCULE - David Wampach (2005)

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BASCULE creation 2005 In this work the feeling is chilly, stripped of expression and sentimentality, but the dancers seem to give off waves of heat. On their own or in pairs they open themselves up to the audience. It is fascinating, hypnotic. Here we dispense with the constant references to the media and our consumer-driven society, watching dancers channelling a certain integrity, beauty and sensuality, dancers whose bodies have given up the fight. They are both naked and clothed, alone in a sharp-edged, hostile environment, we cannot tear our eyes away. In this linear piece, his second, David Wampach shows both maturity and authenticity Marie-Christine Vernay • Libération May 9, 2006 © Johann Maheut video © Johann Maheut cast choreography • David Wampach costumes • Rachel Garcia lights • Caty Olive sound • Olivier Alary stage technician • Pierre Louet dance • Maeva Cunci, Bruno Péré and Virginie Thomas the performance was originally created with • Maeva Cunci, Mathias Poisson and Virginie Thomas credits production • Association Achles coproduction • Choreographic development center of Toulouse/Midi-Pyrénées, National choreographic center of Montpellier Languedoc-Roussillon, National choreographic center of Franche-Comté in Belfort, under the auspices of the accueil studio programme/Ministère de la Culture et de la Communication, Foundation of France under the auspices of the contemporary dance artists initiatives program with the support of • la Préfecture de Région Languedoc-Roussillon - Direction Régionale des Affaires Culturelles, the Languedoc-Roussillon region, the city of Montpellier

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'Ophelia's death ' Art Installation performance - world body painting

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Funktionide Part II (long version)

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This is the long (original) version of the video. The work is based on an intensive three months research with professional partners in Germany and Switzerland into artificial muscles. It reflects upon how new technologies such as artificial muscles will change future products, and the way we interact with them. The results of that research led to the conclusion that one day active materials will drastically change our ambient products and the way we perceive and interact with them. By morphing their shape these products will gain new dimensions. Products of the future will be "alive". One of those future products is the so called „Funktionide“. It is a white amorphous object whose intention is to provide the owner with an atmosphere of presence to counteract feelings of loneliness. In a future filled with multi-dimensional products it is likely that people will eventually turn towards them for emotional satisfaction. This scenario gives rise to a number of questions. What happens if products that were proposed as a relief against social isolation begin to become the solution? How will this affect human to human interactions? What will these products look like, or more important how will they behave? The works intention is to provoke a discussion which enables us to question how much we want technological products to satisfy our emotional desires. To ask these questions will become part of the responsibility of future product design. The ambiguity of this scenario is that it could be understood as a solution but it might as well be understood as a scenario which should be avoided by all means possible. research video at vimeo.com/5421831

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