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Teen Flirt "Promises"

Official video for Teen Flirt "Promises" Download the EP — finesserecords.com/post/fr007

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pubes

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-关于本片 内容:男人与女人互相帮彼此剔阴毛。 形式:影像(这里指,“男人给女人剃阴毛时的镜头-女性的下体”与“女人给男人剃阴毛时的镜头-男性的下体”)之间的叠化,黑白效果。 分析: 中间多次的叠化:通过影像的叠化人们能看到男性与女性生殖器叠加的效果,这意味着有意地去“模糊”性别之间的差别,使之看起来像一个男人和女人构成的”中性人“。 开头和结尾:男性生殖器的勃起和“降落”(无叠化),这是作为一个女性的主观的视角。因为我是作为一个女性去创作的。 中途插入的画作的照片:带给人一些关于这个场景的幻想,增加神秘气息。 无叠化效果的剃阴毛的镜头:客观视角,录像艺术。 黑白的意义:减少色情的成分(或者说将它模糊化),增加美学成分。 影片有二十分钟左右,在不同的时间点,表达的具体含义也不一样;如同,从一个含义“渐变”到另一个含义。恰好这二十分钟的影像也总是在“渐变”。所以是形式和内容一起“渐变”。我想这大概是我想表达的,即一首诗一样的缓慢的感官享受,而不是用一个单一的没有想象空间的概念支撑一个作品。 ------- -About this film Content: Men and women help each other remove pubic hair. Format: The superimposition between the image (here, "the lens when a man shaves a woman's pubic hair-female lower body" and "the lens when a woman shaves a man's pubic hair-male lower body"), black and white effect. analysis: Many times of dissolution in the middle: through the dissolution of images, people can see the effect of superposition of male and female genitals, which means deliberately "blurring" the gender difference so that it looks like a man and a woman. "Neutral". The beginning and the end: the erection and "landing" of the male genitals (without dissolution), which is a subjective perspective as a woman. Because I created as a woman. Photos of paintings inserted midway through: bring some fantasy to this scene and add mystery. No shaving pubic hair shaving lens: objective perspective, video art. The meaning of black and white: reduce the component of pornography (or blur it), increase the aesthetic component. The film has about 20 minutes. At different points in time, the specific meanings expressed are also different; like, from one meaning "gradient" to another meaning. It happens that these twenty-minute images are always "gradient". Therefore, the form and content "gradient" together. I think this is probably what I want to express, that is, the slow sensory enjoyment of a poem, rather than supporting a work with a single concept without imagination.

Last download 8 hours ago

The Naked Lunch

vimeo

The Naked Lunch was one of those ideas that just hit me, and I started laughing. I had the image of this guy confronted with unexpected nudity, and his girlfriend being a bit mischevious. The bee came later... I wrote the script initially thinking that I would use a voice over, but rejected that not long after when I realised that it was superfluous. Casting didn't take long - I'd wanted to work with Alex for a while, and being the shameless hussy that he is, he was all too willing to take his clothes off. I'd met Alexia when she was doing an acting for the screen course that I was filming, and when I asked her if she minded being naked, she said no. I introduced the two of them to each other, and within about five minutes they were an item. Casting is all about chemistry. I put an open call out on Shooting People asking for actors who didn't mind being naked, and Amanda and Gil were both a real find, and a joy to work with. This being a Straight 8 film it was important to find actors who could nail it in one take, as there would be no opportunity for re-shoots. Everyone nailed it on the day. We went up to shoot at my parent's house in Aylesbury (thankfully they went away for the weekend), and spent the entire Saturday shooting the film in sequence. Trying to get the sound to sync to the action is always a challenge with Straight 8 films, and we tried to match it by filming on mini DV besides the super 8 camera, so the DV would pick up the sound of the shutter, and we'd be able to work out timings later. It kind of worked. I'd prepared the shoot by storyboarding all the shots, and then cutting them together in Final Cut Pro to give us a guide for the timings, although we squeezed in the extended ending on the day. I was gutted that we ran out of film just before we got a shot of Alex driving away revealing a numberplate with 'THE END' written on it. God knows what the postman must have thought, who arrived just as we were shooting the scene where Amanda opens the door to Alex and Alexia. He didn't say anything - just handed over the letters in a fairly stunned silence, and went on his way. We'd kept the bee in the fridge until it was ready for it's close up, although I still think I may have shot him a little early. He still looks pretty lethargic. My long term collaborator Sid Merrett put together the excellent soundtrack to the film. It premiered at the Rushes Film Festival in 2004.

Last download moments ago