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OMA COVID-19 Townhall April 2, 2020

This is "OMA COVID-19 Townhall April 2, 2020" by Ontario Medical Association on Vimeo, the home for high quality videos and the people who love them.

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pubes

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-关于本片 内容:男人与女人互相帮彼此剔阴毛。 形式:影像(这里指,“男人给女人剃阴毛时的镜头-女性的下体”与“女人给男人剃阴毛时的镜头-男性的下体”)之间的叠化,黑白效果。 分析: 中间多次的叠化:通过影像的叠化人们能看到男性与女性生殖器叠加的效果,这意味着有意地去“模糊”性别之间的差别,使之看起来像一个男人和女人构成的”中性人“。 开头和结尾:男性生殖器的勃起和“降落”(无叠化),这是作为一个女性的主观的视角。因为我是作为一个女性去创作的。 中途插入的画作的照片:带给人一些关于这个场景的幻想,增加神秘气息。 无叠化效果的剃阴毛的镜头:客观视角,录像艺术。 黑白的意义:减少色情的成分(或者说将它模糊化),增加美学成分。 影片有二十分钟左右,在不同的时间点,表达的具体含义也不一样;如同,从一个含义“渐变”到另一个含义。恰好这二十分钟的影像也总是在“渐变”。所以是形式和内容一起“渐变”。我想这大概是我想表达的,即一首诗一样的缓慢的感官享受,而不是用一个单一的没有想象空间的概念支撑一个作品。 ------- -About this film Content: Men and women help each other remove pubic hair. Format: The superimposition between the image (here, "the lens when a man shaves a woman's pubic hair-female lower body" and "the lens when a woman shaves a man's pubic hair-male lower body"), black and white effect. analysis: Many times of dissolution in the middle: through the dissolution of images, people can see the effect of superposition of male and female genitals, which means deliberately "blurring" the gender difference so that it looks like a man and a woman. "Neutral". The beginning and the end: the erection and "landing" of the male genitals (without dissolution), which is a subjective perspective as a woman. Because I created as a woman. Photos of paintings inserted midway through: bring some fantasy to this scene and add mystery. No shaving pubic hair shaving lens: objective perspective, video art. The meaning of black and white: reduce the component of pornography (or blur it), increase the aesthetic component. The film has about 20 minutes. At different points in time, the specific meanings expressed are also different; like, from one meaning "gradient" to another meaning. It happens that these twenty-minute images are always "gradient". Therefore, the form and content "gradient" together. I think this is probably what I want to express, that is, the slow sensory enjoyment of a poem, rather than supporting a work with a single concept without imagination.

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Isabella

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How much of your life do you need to remember to remain yourself? WINNER: BAFTA, Best Scottish Short Film, 2016. WINNER: No Budget Audience Award 'Optimistic Vision', Hamburg International Short Film Festival, 2016. WINNER: Scottish Short Film Jury Award, Glasgow Short Film Festival, 2016. WINNER: Best UK Short Film 19-25, BFI Future Film Festival, 2016. WINNER: BFI RAW Award, 2016. NOMINATED: Best British/Irish Short Film, London Critics Circle Award, 2017. NOMINATED: Best Documentary, London Short Film Festival, 2016. NOMINATED: Best Director/s, BFI Future Film Festival, 2016. NOMINATED: Best UK Short, Open City Doc Fest, 2016. ----------------------------------------------------------------------------------------------------------------------- Year of Production: 2015 Running time: 9 minutes 19 seconds Directors: Ross Hogg & Duncan Cowles Featuring: Isabella Hogg Original score: Robbie Gunn Sound design: Keith Duncan Colourist: Will Anderson Funding Institution: Creative Scotland ----------------------------------------------------------------------------------------------------------------------- At the age of ninety-two, Isabella struggles to remember... As she becomes ever fragile and her short-term memory begins to falter, her past is explored, questioned and brought to life. How much of your life do you need to remember to remain yourself? ----------------------------------------------------------------------------------------------------------------------- Official Selection: 01/2016 - London Short Film Festival, UK. 01/2016 - Berlin Film Festival British Shorts, Germany. 02/2016 - BFI Future Film Festival, UK. 02/2016 - Big Sky Documentary Film Festival, USA. 03/2016 - Glasgow Short Film Festival, UK. 04/2016 - Flatpack Film Festival, UK. 04/2016 - IndieLisboa, Portugal. 04/2016 - Vienna Independent Shorts, Austria. 04/2016 - Hamburg International Short Film Festival, Germany. 05/2016 - Edinburgh International Film Festival, UK. 09/2016 - Encounters Short Film and Animation Festival, UK. 09/2016 - Message to Man International Film Festival, Russia. 10/2016 - Uppsala International Short Film Festival, Sweden. 11/2016 - Aesthetica Short Film Festival, UK. 12/2016 - International Short Film Festival Zubroffka, Poland. ----------------------------------------------------------------------------------------------------------------------- ★★★★★ EyeforFilm Review: eyeforfilm.co.uk/review/isabella-2015-film-review-by-andrew-robertson ----------------------------------------------------------------------------------------------------------------------- Polish subtitles thanks to International Short Film Festival Zubroffka. Portuguese subtitles thanks to IndieLisboa International Independent Film Festival. German subtitles thanks to Gerhard Protschka at look&roll. ----------------------------------------------------------------------------------------------------------------------- More info: Ross Hogg - twitter.com/MrRossHogg Duncan Cowles - twitter.com/DuncanCowles isabellathefilm.com

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Tableau Vivant - Become a Supporter

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Sarah Small’s Tableau Vivant of The Delirium Constructions is a multi-disciplinary performance art event: it is music and dance, it is both a living painting and photography, and it is film. It is a manifesto of ultimate beauty. It stems from the French tableau vivant, a representation of a scene or work of art by a person or group of people, posed silent and motionless. Sarah Small’s Tableau revolutionized the concept from a nineteenth century parlor amusement to a twenty-first century performance art event. One hundred twenty models and musicians of all ages, sizes and colors in various states of dress and undress come to life for a seventy-five-minute live improvisational and choreographed performance including opera and a cappella singing, Balkan folk and contemporary classical music. The performance culminates in live weddings supported by synchronized breathing from the whole cast then turns into an audience-inclusive immersive party. Contaminate is an experiential arts organization that produces unique immersive creative experiences and provides consulting and coaching services to artists and creative businesses. Contaminate targets companies with interests in investing in immersive art experiences and creative concepts that can be leveraged for their corporate branding and marketing campaigns. They will be positioned to the press, critics, art world community, and the general public as key influencers and promoters of Contaminate’s project Tableau Vivant. If you would like to support or donate please write to [email protected]

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