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Guaxuma by Nara Normande

115 festivals, 70+ awards including SXSW, Palm Springs, Guadalajara, Ottawa, Chicago, Cinequest... Subtitles available in French and English (CC button) Sous-titres disponibles en français et en anglais (CC bouton) Read more about it on the Vimeo Blog: vimeo.com/blog/post/staff-pick-premiere-guaxuma-by-nara-normande/ SYNOPSIS Nara and Tayra grew up in Guaxuma, a beach in the north east of Brazil, but as a teenager Nara had to leave this place of freedom. After an unexpected shattering event, Nara returns to Guaxuma but she doesn’t recognize the virgin paradise of her childhood anymore. Is it the beach that has changed or Nara herself? CONTACT Liyan Fan | Les Valseurs | [email protected] Press Catherine Lyn Scott | London Flair PR | [email protected] AMAZING CREW DIRECTOR : Nara Normande PRODUCERS : Damien Megherbi & Justin Pechberty (Les Valseurs) COPRODUCER : Livia de Melo (Vilarejo Filmes) ANIMATION: Pedro Iuá, Sylvain Derosne, Diego Akel, Nara Normande, Clemence Bouchereau , Julien Laval , Abi Feijo, Tãnia Duarte, Sofia Gutman , Aurore Peuffier, Melody Boulissiere, Anne-Lise Nemorin, Gervaise Duchaussoy CINEMATOGRAPHER : Maíra Iabrudi, Pedro Sotero, Simon Gesrel, Jean-Louis Padis EDIT: Eduardo Serrano MUSIC: Normand Roger OFFICIAL WEBSITE lesvalseurs.com/guaxuma/ AWARDS Anima Mundi | “Canal Brasil” Short Film Award | Brazil (2018) Festival de Gramado | Grand Prize Best Short | Brazil (2018) Hamptons International Film Festival | Best Documentary Short | USA (2018) Ottawa International Animation Film Festival | Best Narrative Short | Canada (2018) Animatou, International Animation Film Festival | Special Mention of the Jury for Doc'Anim | Switzerland (2018) Animanima | Special Metion of the Jury | Serbia (2018) Internationale Kurzfilmtage Winterthur | Youth Prize 16+ | Switzerland (2018) Chicago International Children’s Film Festival | Youth Jury: Best Animated Short, 1st Prize | USA (2018) Saõ Paulo International Short Film Festival | ABCA prize of Best Animation | Brazil(2018) Saõ Paulo International Short Film Festival | Public Prize | Brazil(2018) Festival de Brasília | Best Direction, Best Art Direction, Best Soundtrack | Brazil(2018) Goiânia Mostra Curtas | Best Short | Brazil(2018) Festival Du Film Court de Villeurbanne |Best Animation | France(2018) Panorama Internacional Coisa de Cinema | Indielisboa Prize, APC Prize | Brazil(2018) Mostra de Cinema de Gostoso | Best Short | Brazil(2018) Riga International Film Festival 2ANNAS | Best Animation | Latvia (2018) Mostra de Cinema de Londrina | Best Direction, Best Art Direction | Brazil(2018) FestCine Recife | Best Animation, Best Editing, ABCA Prize | Brazil(2018) Tindirindis International Animated Film Festival | Special Mention | Lithuania (2018) International Film Festival Zoom-Zblizenia | THE BEST ANIMATED FILM award | Poland (2019) SXSW, South by Southwest Film Festival | Best Animated Short | USA (2019) Cinequest Film Festival | Best Animated Short | USA (2019) Guadalajara International Film Festival | Rigo Mora International Award – Best Animated Short | Mexico (2019) Premios Quirino | Best Short Award | Tenerife, Spain(2019) Rencontre du Cinéma Européen | Cinécran Prize | France (2019) Indie Lisboa | Short Film Award, Macao Tourism Award – Best Animated Short, School Award | Portugal (2019) Aspen ShortsFest | Special Mention for Animation | USA (2019) Plein la Bobine | Professional Jury Prize | France (2019) Palm Springs | Best International Short | USA (2019) Manlleu Film Festival | Audience Award | Spain (2019) Zabut – International Animated Short Film | Jury Special Mention | Italy (2019) LA Shorts Fest | Special Mention | USA (2019) Flickers’ Rhode Island International Film Festival | Kidseye International Film Festival First Prize | USA (2019) New Orleans Film Festival | Helen Hill Award for Animation, Audience Award | USA (2019)

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-关于本片 内容:男人与女人互相帮彼此剔阴毛。 形式:影像(这里指,“男人给女人剃阴毛时的镜头-女性的下体”与“女人给男人剃阴毛时的镜头-男性的下体”)之间的叠化,黑白效果。 分析: 中间多次的叠化:通过影像的叠化人们能看到男性与女性生殖器叠加的效果,这意味着有意地去“模糊”性别之间的差别,使之看起来像一个男人和女人构成的”中性人“。 开头和结尾:男性生殖器的勃起和“降落”(无叠化),这是作为一个女性的主观的视角。因为我是作为一个女性去创作的。 中途插入的画作的照片:带给人一些关于这个场景的幻想,增加神秘气息。 无叠化效果的剃阴毛的镜头:客观视角,录像艺术。 黑白的意义:减少色情的成分(或者说将它模糊化),增加美学成分。 影片有二十分钟左右,在不同的时间点,表达的具体含义也不一样;如同,从一个含义“渐变”到另一个含义。恰好这二十分钟的影像也总是在“渐变”。所以是形式和内容一起“渐变”。我想这大概是我想表达的,即一首诗一样的缓慢的感官享受,而不是用一个单一的没有想象空间的概念支撑一个作品。 ------- -About this film Content: Men and women help each other remove pubic hair. Format: The superimposition between the image (here, "the lens when a man shaves a woman's pubic hair-female lower body" and "the lens when a woman shaves a man's pubic hair-male lower body"), black and white effect. analysis: Many times of dissolution in the middle: through the dissolution of images, people can see the effect of superposition of male and female genitals, which means deliberately "blurring" the gender difference so that it looks like a man and a woman. "Neutral". The beginning and the end: the erection and "landing" of the male genitals (without dissolution), which is a subjective perspective as a woman. Because I created as a woman. Photos of paintings inserted midway through: bring some fantasy to this scene and add mystery. No shaving pubic hair shaving lens: objective perspective, video art. The meaning of black and white: reduce the component of pornography (or blur it), increase the aesthetic component. The film has about 20 minutes. At different points in time, the specific meanings expressed are also different; like, from one meaning "gradient" to another meaning. It happens that these twenty-minute images are always "gradient". Therefore, the form and content "gradient" together. I think this is probably what I want to express, that is, the slow sensory enjoyment of a poem, rather than supporting a work with a single concept without imagination.

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Monsoon III (4K)

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Blu-Ray discs available here: mikeolbinski.com/shop/ Song by Kerry Muzzey: "Revenge"/ "Revenge: Epilogue" (on iTunes: http://bit.ly/KM_TM3 Amazon: http://bit.ly/KM_REVENGE) Follow me: mikeolbinski.com / twitter.com/mikeolbinski / facebook.com/mikeolbinskiphotography / instagram.com/mikeolbinski ----------------- If you asked the average person, many would characterize this summer's monsoon as a down season. Not a lot of storms overall and it seemed generally more quiet. And in many ways it actually was a slower season. All told I chased about 36 days for this film, which was less than the 48 in 2015. We had an early start in late June, and then it was dead for almost three weeks. When I looked back and realized I chased 12 less days...yeah, it definitely had less action than normal. But to a storm chaser, none of this really means anything. Sure there were days when nothing was remotely possible to chase, but most of the time the monsoon can be found in the far corners of the state even when Phoenix and Tucson are dry as a bone. For me personally, I loved this season. Maybe because as a filmmaker, having put out a few of these films now, I'm beginning to focus and hone in more on what I really love to time-lapse. My early scenes years ago had a lot of average clouds and distant rain that didn't have a lot of excitement or energy. But as the years go on, and I learn more and more about chasing storms here in Arizona...I've found myself in better spots to capture the stuff I really enjoy. Strong downbursts of rain, building clouds, lightning...and yes, dust storms. The one thing I was hoping for in 2016 that the previous years have lacked: Haboobs. Dust storms. Rolling walls of dirt and sand engulfing the deserts and even Phoenix itself. And my wish came true in that regard. Even a very late season, September 27th haboob that I captured right at sunset with glorious colors. Coming off the heels of filming Vorticity in the spring, with monster supercells and tornadoes, the monsoon is a totally different beast and you'd think it would be less exciting. I don't know. I find them both amazing and inspiring. Weather to me is weather. No matter how mind-blowing it was to witness the Wynnewood tornado this past spring, standing in front of a rolling wall of dust, or a distant lightning storm under the stars...it's all a blast to me and I never get tired of it. So Monsoon III...the credits will say it, but it was around 36 days of filming, I shot over 85,000 frames and am not sure how much made it into the final cut. The song I used was "Revenge" and "Revenge: Epilogue" by Kerry Muzzey, and I took both of them and sliced and diced until I actually had a six-minute version to fit in with all the footage I captured. I love it. As always...THANK YOU to Kerry Muzzey for supporting my work by letting me use his music once again. I don't even have enough words for this man for doing this for me. It means more than anything! Please buy his work! I started editing this film mid-summer once I figured out the song I was using. And as days went by and more clips were rendered, I kept adding them and re-arranging them all the time, trying to get every clip to match the tone and feeling of the music. And then I'd think I was done and more storms would come and I'd have to move things around again, and even drop stuff. I have a lot of fun scenes that are not in this film because I only wanted the very best. Special thanks to Bryan Snider and Dustin Farrell for some tips this summer on editing out dust spots and birds better than I had been doing. Appreciate it fellas! My wife takes the brunt of what I do, especially when I'm gone for days at a time. Filming in Arizona is easier because I'm usually home at some point in the evening and at least around in the mornings. But it's a lot of work and a lot of time being away. She supports me like no other and I can't believe how lucky I am to have someone with that much faith in what I do. And a lot of these clips will forever hold memories for me because my two oldest kiddos were there for them, and at times even all three were nearby. My littlest guy who just turned three, sits on my lap a lot when I edit, listens to the music and loves watching the final product. And he wants to keep watching it...over, and over and over. Makes a daddy proud. I hope you enjoy this latest installment. I'm not sure how it compares to years past, but for better or worse, this was Monsoon 2016 for me! Please let me know if you have any questions about anything! Most of these clips were shot in 8K with some 4K stuff thrown in there as well. ----- Captured with a Canon 5DSR, two 5D3's, 11-24mm, 16-35, 35mm, 50mm and 135mm. Processed using Lightroom, LR Timelapse, After Effects and Premiere Pro

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Welcome to LACE Lingerie. Your big cup specialist (D-J cup). Lace.eu. LACE is a favourite online shop for lingerie, bras, underwear, shapewear, bikini, swimwear and beachwear up to a J cup. In our webshop, you can find a huge selection of fashion lingerie and basic functional underwear from designer brands. Lace.eu Deutschland: Willkommen bei LACE Dessous - Ihr Spezialist für große Cups (D - J): lace.de LACE ist Ihr beliebtester Onlineshop für Dessous, BHs, Unterwäsche, Shapewear, Bikini, Bademoden und Strandmode bis J Körbchen. In unserem Onlineshop finden Sie eine riesige Auswahl an modischen Dessous und funktionaler Basic-Unterwäsche von vielen bekannten Marken. Lace.de Danmark: Velkommen til LACE Lingeri. Din specialist i smart lingeri og badetøj til store barme (D-J skål). lace.dk LACE er din favorit onlinebutik for lingeri, bh, undertøj, bikini og badetøj op til J skål. I vores webshop finder du det store udvalg af moderigtig lingeri og mere klassisk undertøj fra designer mærker. lace.dk Niederlande: Welkom bij LACE Lingerie - uw specialist voor grote cupmaten ( D - J ) : lace-lingerie.nl LACE is uw favoriete online winkel voor dessous, bh´s, ondergoed, Shapewear, bikini´s, badmode en strandmode tot de cupmaat J. In onze onlineshop vindt u een ruime keuze aan modieuze dessous en degelijk Basic-ondergoed van veel bekende merken. Lace-Lingerie.nl UK: Lace-Lingerie.com Sverige: lace.se

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