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-关于本片 内容:男人与女人互相帮彼此剔阴毛。 形式:影像(这里指,“男人给女人剃阴毛时的镜头-女性的下体”与“女人给男人剃阴毛时的镜头-男性的下体”)之间的叠化,黑白效果。 分析: 中间多次的叠化:通过影像的叠化人们能看到男性与女性生殖器叠加的效果,这意味着有意地去“模糊”性别之间的差别,使之看起来像一个男人和女人构成的”中性人“。 开头和结尾:男性生殖器的勃起和“降落”(无叠化),这是作为一个女性的主观的视角。因为我是作为一个女性去创作的。 中途插入的画作的照片:带给人一些关于这个场景的幻想,增加神秘气息。 无叠化效果的剃阴毛的镜头:客观视角,录像艺术。 黑白的意义:减少色情的成分(或者说将它模糊化),增加美学成分。 影片有二十分钟左右,在不同的时间点,表达的具体含义也不一样;如同,从一个含义“渐变”到另一个含义。恰好这二十分钟的影像也总是在“渐变”。所以是形式和内容一起“渐变”。我想这大概是我想表达的,即一首诗一样的缓慢的感官享受,而不是用一个单一的没有想象空间的概念支撑一个作品。 ------- -About this film Content: Men and women help each other remove pubic hair. Format: The superimposition between the image (here, "the lens when a man shaves a woman's pubic hair-female lower body" and "the lens when a woman shaves a man's pubic hair-male lower body"), black and white effect. analysis: Many times of dissolution in the middle: through the dissolution of images, people can see the effect of superposition of male and female genitals, which means deliberately "blurring" the gender difference so that it looks like a man and a woman. "Neutral". The beginning and the end: the erection and "landing" of the male genitals (without dissolution), which is a subjective perspective as a woman. Because I created as a woman. Photos of paintings inserted midway through: bring some fantasy to this scene and add mystery. No shaving pubic hair shaving lens: objective perspective, video art. The meaning of black and white: reduce the component of pornography (or blur it), increase the aesthetic component. The film has about 20 minutes. At different points in time, the specific meanings expressed are also different; like, from one meaning "gradient" to another meaning. It happens that these twenty-minute images are always "gradient". Therefore, the form and content "gradient" together. I think this is probably what I want to express, that is, the slow sensory enjoyment of a poem, rather than supporting a work with a single concept without imagination.

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Ilulissat Icefjord Centre

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The Icefjord Centre is designed to accommodate a number of diverse activities; it is an active gathering point where local residents, businesses, climate researchers, climate debaters and global tourists meet in a dynamic learning and exhibition space. The building is designed as an all encompassing framework, partly inside and partly outside that embraces all activities. The wooden framework, designed as a truss, bridges the rugged landscape. It floats lightly above it, curving out over the edge of the Sermermiut Valley offering the spectacular, undisturbed view through the valley and to the icefjord. The framework is covered by a gently sloping, curved wooden boardwalk that becomes the starting point for the World Heritage Trail and at the same time acts as a gathering point, a viewing platform, and an informal seating area. Moving across the roof, like when hiking to reach the top of a hilltop, a visitor will meet the magnificent open view of the icefjord and overlook the route of the trail before walking on. The roof deck acts as a point of departure for local residents when going for a walk, a place to watch the sunset or gather in the evening sun. The movement across the roof, from the “inside”, protected by the curved building and the rock wall, to the open “outside” landscape, forms the gateway between civilization and nature. Moving through the building the geometry changes in section in a continuous flow. The frames rotate from a triangular opening at one end to a rectangular section at the midpoint and around to a triangle at the other end. The movement of the structure and form creates a constantly changing view that enhances the experience of the landscape and the colour of the sky as it changes from cold to warm, from blue to pink, depending on the direction of view. Architect: Dorte Mandrup Arkitekter Landscape architect: Arkitekt Kristine Jensens Tegnestue Engineer: Masanti Danmark Engineer: Søren Jensen Rådgivende Ingeniører Consulting architect: Nøhr & Sigsgaard Arkitekter Advisor: Niels Bennetzen Advisor: Minik Thorleif Rosing Exterior renders: Mir

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