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20141011_100957.mp4

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pubes

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-关于本片 内容:男人与女人互相帮彼此剔阴毛。 形式:影像(这里指,“男人给女人剃阴毛时的镜头-女性的下体”与“女人给男人剃阴毛时的镜头-男性的下体”)之间的叠化,黑白效果。 分析: 中间多次的叠化:通过影像的叠化人们能看到男性与女性生殖器叠加的效果,这意味着有意地去“模糊”性别之间的差别,使之看起来像一个男人和女人构成的”中性人“。 开头和结尾:男性生殖器的勃起和“降落”(无叠化),这是作为一个女性的主观的视角。因为我是作为一个女性去创作的。 中途插入的画作的照片:带给人一些关于这个场景的幻想,增加神秘气息。 无叠化效果的剃阴毛的镜头:客观视角,录像艺术。 黑白的意义:减少色情的成分(或者说将它模糊化),增加美学成分。 影片有二十分钟左右,在不同的时间点,表达的具体含义也不一样;如同,从一个含义“渐变”到另一个含义。恰好这二十分钟的影像也总是在“渐变”。所以是形式和内容一起“渐变”。我想这大概是我想表达的,即一首诗一样的缓慢的感官享受,而不是用一个单一的没有想象空间的概念支撑一个作品。 ------- -About this film Content: Men and women help each other remove pubic hair. Format: The superimposition between the image (here, "the lens when a man shaves a woman's pubic hair-female lower body" and "the lens when a woman shaves a man's pubic hair-male lower body"), black and white effect. analysis: Many times of dissolution in the middle: through the dissolution of images, people can see the effect of superposition of male and female genitals, which means deliberately "blurring" the gender difference so that it looks like a man and a woman. "Neutral". The beginning and the end: the erection and "landing" of the male genitals (without dissolution), which is a subjective perspective as a woman. Because I created as a woman. Photos of paintings inserted midway through: bring some fantasy to this scene and add mystery. No shaving pubic hair shaving lens: objective perspective, video art. The meaning of black and white: reduce the component of pornography (or blur it), increase the aesthetic component. The film has about 20 minutes. At different points in time, the specific meanings expressed are also different; like, from one meaning "gradient" to another meaning. It happens that these twenty-minute images are always "gradient". Therefore, the form and content "gradient" together. I think this is probably what I want to express, that is, the slow sensory enjoyment of a poem, rather than supporting a work with a single concept without imagination.

Last download 29 minutes ago

NUDE WOMAN IN MOTION - With Liz Ashley

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Hear the original ZZ Top 'Eliminator' rehearsal tapes at: vimeo.com/215450297 +++ Video & Music by Linden Hudson. Who is Linden Hudson? CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (Linden never received credit or monies for his work on this huge, multi-platinum, grammy nominated record album) LICKLIBRARY DOT COM (in 2013) ZZ TOP'S BILLY GIBBONS SAID: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits these facts after 30 years, but offers Linden no apology or reparations for lack of credits/monies) MUSICRADAR DOT COM (in 2013): Journalist Joe Bosso interviewed Billy Gibbons (ZZ Top guitarist). Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top's sound. Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” +++ Read about Linden's shitty "Eliminator" album experience at: linden-hudson.com/press-media Also read his story at: linden-hudson.com/lindens-fame ++ LINDEN HUDSON IS IN WIKIPEDIA (do a "find" on each page for Linden) en.wikipedia.org/wiki/ZZ_Top en.wikipedia.org/wiki/Eliminator_(album) en.wikipedia.org/wiki/Sharp_Dressed_Man en.wikipedia.org/wiki/Legs_(song) en.wikipedia.org/wiki/Got_Me_Under_Pressure en.wikipedia.org/wiki/TV_Dinners_(song) en.wikipedia.org/wiki/Musical_plagiarism en.wikipedia.org/wiki/El_Loco +++ THIS VIDEO "NUDE WOMAN IN MOTION": Beautiful Nude Model is Liz Ashley. Liz has posed for Playboy, Penthouse, Hustler and many more. Video Shot On Palm Camera By Linden Hudson - Music By Linden Hudson See another Liz Ashley video by Linden Hudson at: vimeo.com/73101955 & vimeo.com/34801340 This video is not porn, it's intended as art. Here in the USA we are promised free speech & free artistic expression.

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ENTRE CIEL ET TERRE - La Palma in 4K astrolapse

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There are only a few regions in the world where the skies meet the Earth with almost no distinction between the two. La Palma in the Canary islands is one of them. ‘Entre Ciel et Terre’ literally means ‘Between the sky and Earth’ and was a perfect fit here. While most of the volcanic island is isolated under a thick layer of clouds, the tip of its crater often punches through it and allows you to be one step closer to the Heavens. At an altitude of about 2300 meters above sea level you feel so far removed from any kind of civilization especially because of the cloud inversion. The air is thin and pristine and the living conditions are harsh but that’s the reason why the ORM (Observatory Roque de Los Muchachos) -operated by the IAC (Instituto de Astrofísica de Canarias) and part of the European Northern Observatory, was built up there. The summit of La Palma’s caldera benefits from dry and clear skies almost year round with almost no light pollution to disturb it, and only rare Calima (this dusty wind coming from the Sahara desert). It’s safe to say that the ‘Isla Bonita’ is one of the top places in the world to observe the northern hemisphere’s night sky! The purpose of this short was to capture that special place from a different perspective. I really wanted to give the audience sort of a confusion as to where they are because that’s precisely the feeling you get when you look up at the stars from the mountains. You somehow lose sense of any orientation as if you were lost in the immensity of the universe! One image that I had in my head to describe La Palma’s summit was Asgard or Mount Olympus, where all the elements are united and blend together divinely. Even life found a way to survive in this environment bombarded by high-energy rays during the day and battered by cold winds at night. One highlighted species is the fascinating and mind-boggling Tajinaste flower. Also called Tenerife Bugloss or tower of jewels, this docile and resilient endemic plant can endure extreme drought. I included it in the movie because it looks majestic and prehistoric. It really adds something special to the special atmosphere I wanted to convey, especially when the milky way galaxy and the sea of clouds move in the background! By tracking the night sky or displaying the sequences upside-down I was able to give that impression of the Earth floating and rotating in the void of the cosmos. The unusual but innovative close-up views of some parts of the milky way (including the core, Rho Ophiuchi or Cygnus) moving behind the operating telescopes of the OMC helped me give that only human dimension to the movie. The use of an astro-modified camera also enabled me to almost get the full range of colors a DSLR can pick up on single frames from nebulae. I already traveled to La Palma island in November 2017 but I really wanted to shoot there again for several reasons. First I really wanted to get more shots of the core region that would be less spoiled by light pollution than the ones I recently took on Tenerife. Secondly I desperately wanted to meet the extremely talented photographer Alyn Wallace (check him out: alynwallacephotography.com) and do a collaboration with him on the island. Thirdly I am still on my way of perfecting the novel art of deep-sky time-lapse and I wanted to reshoot some sequences that didn’t give satisfying results in the past. Finally I wanted to personally experience the Spring vibe of the island when all the plants are blooming and give that sweet smell to the air. I am absolutely thrilled to have met all my expectations (and more!), and I really believe the results look stunning! Everything was recorded with the Canon 6D Baader modified, the Sony a7s, the Sony a7rII and a variety of bright lenses ranging from 14mm to 300mm. I used the Lonely Speck Pure Night and Matt Aust Light pollution filters to reduce light pollution and increase details, and also the Vixen Polarie to track the stars and get cleaner shots. Syrp Genie 3 axis system was used for motion control. All post production was made in Lr with the special timelapse plus plugin, Sequence for mac, TLDF, and final production was made in FCPX. I hope you like the movie as much as I liked shooting and processing it and I thank everyone of you for your support. All content is of course copyrighted AMP&F (except sountrack licensed through Envato Market), and no footage can be used in any way without the author’s permission. Please contact me for media and purchase inquiry. Please share and comment if you liked the video and follow me for more videos like this one! More at adphotography-online.com.

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