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pubes

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-关于本片 内容:男人与女人互相帮彼此剔阴毛。 形式:影像(这里指,“男人给女人剃阴毛时的镜头-女性的下体”与“女人给男人剃阴毛时的镜头-男性的下体”)之间的叠化,黑白效果。 分析: 中间多次的叠化:通过影像的叠化人们能看到男性与女性生殖器叠加的效果,这意味着有意地去“模糊”性别之间的差别,使之看起来像一个男人和女人构成的”中性人“。 开头和结尾:男性生殖器的勃起和“降落”(无叠化),这是作为一个女性的主观的视角。因为我是作为一个女性去创作的。 中途插入的画作的照片:带给人一些关于这个场景的幻想,增加神秘气息。 无叠化效果的剃阴毛的镜头:客观视角,录像艺术。 黑白的意义:减少色情的成分(或者说将它模糊化),增加美学成分。 影片有二十分钟左右,在不同的时间点,表达的具体含义也不一样;如同,从一个含义“渐变”到另一个含义。恰好这二十分钟的影像也总是在“渐变”。所以是形式和内容一起“渐变”。我想这大概是我想表达的,即一首诗一样的缓慢的感官享受,而不是用一个单一的没有想象空间的概念支撑一个作品。 ------- -About this film Content: Men and women help each other remove pubic hair. Format: The superimposition between the image (here, "the lens when a man shaves a woman's pubic hair-female lower body" and "the lens when a woman shaves a man's pubic hair-male lower body"), black and white effect. analysis: Many times of dissolution in the middle: through the dissolution of images, people can see the effect of superposition of male and female genitals, which means deliberately "blurring" the gender difference so that it looks like a man and a woman. "Neutral". The beginning and the end: the erection and "landing" of the male genitals (without dissolution), which is a subjective perspective as a woman. Because I created as a woman. Photos of paintings inserted midway through: bring some fantasy to this scene and add mystery. No shaving pubic hair shaving lens: objective perspective, video art. The meaning of black and white: reduce the component of pornography (or blur it), increase the aesthetic component. The film has about 20 minutes. At different points in time, the specific meanings expressed are also different; like, from one meaning "gradient" to another meaning. It happens that these twenty-minute images are always "gradient". Therefore, the form and content "gradient" together. I think this is probably what I want to express, that is, the slow sensory enjoyment of a poem, rather than supporting a work with a single concept without imagination.

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Christopher Caines, four→ONE (2016), part 2: “→ONE”

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Harkness Dance Center at 92Y presents CHRISTOPHER CAINES DANCE in four→ONE (premiere) Choreography by Christopher Caines Costume design by Gregory Gale part 2: "→ONE" MUSIC • Ernst Toch (1887–1964)—Kleinstadtbilder (Pictures from a Small Town), op. 49 (1929), no. 13, “Dem Herbst entgegen” (Autumn approaching) • Paul Hindemith (1895–1963)—Sonata for Viola and Piano, op. 11/4 (1919), mvt. 1, Fantasie, Ruhig (Calmly); Sonata for Solo Viola, op. 25/1 (1922), mvt. 4, Rasendes Zeitmaß. Wild. Tonschönheit ist Nebensache. (Blazing tempo. Wild. Beauty of tone is of secondary importance.) • Toch—Three Impromptus for Cello Solo, op. 90c (1963), arr. Paul Kerekes (1988– ) • Toch—Kleinstadtbilder no. 3, “Ach hätt’ ich doch” (But had I only . . .) • Wolfgang Amadeus Mozart (1756–91)—Piano Quartet no. 2 in E-flat Major, K. 493 (1786), mvt. 2, Larghetto • Toch—Kleinstadtbilder no. 7, “Armes Kind” (Poor Child) • Toch—Concerto for Cello and Chamber Orchestra, op. 35 (1925), mvt. 3, Adagio, arr. Kerekes • Toch—Dedication (1948), arr. Kerekes DANCERS (in order of appearance): Silken Kelly, Mayu Oguri, Luke Tucker, Jacob Taylor, Elisa Toro Franky, Kaarin Shipitko, Michelle Vargo, Sean Stewart MUSICIANS: Marija Ilić and Paul Kerekes, piano; with musicians from Contemporaneous: Isabel Lepanto Gleicher, flute/alto flute; Vicente Alexim, clarinet/bass clarinet; Finnegan Shanahan, violin; Kim Foster, viola; Meaghan Burke, cello Conducted by Paul Kerekes Costume dying, hand painting, and crafts by Jeff Fender Studio, Brooklyn Video recorded in performance Saturday, November 19, 4:00 p.m. Video recording and editing by Kay Hines, Dekart Video, NYC

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