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Sport motivation

This is "Sport motivation" by JustTur on Vimeo, the home for high quality videos and the people who love them.

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pubes

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-关于本片 内容:男人与女人互相帮彼此剔阴毛。 形式:影像(这里指,“男人给女人剃阴毛时的镜头-女性的下体”与“女人给男人剃阴毛时的镜头-男性的下体”)之间的叠化,黑白效果。 分析: 中间多次的叠化:通过影像的叠化人们能看到男性与女性生殖器叠加的效果,这意味着有意地去“模糊”性别之间的差别,使之看起来像一个男人和女人构成的”中性人“。 开头和结尾:男性生殖器的勃起和“降落”(无叠化),这是作为一个女性的主观的视角。因为我是作为一个女性去创作的。 中途插入的画作的照片:带给人一些关于这个场景的幻想,增加神秘气息。 无叠化效果的剃阴毛的镜头:客观视角,录像艺术。 黑白的意义:减少色情的成分(或者说将它模糊化),增加美学成分。 影片有二十分钟左右,在不同的时间点,表达的具体含义也不一样;如同,从一个含义“渐变”到另一个含义。恰好这二十分钟的影像也总是在“渐变”。所以是形式和内容一起“渐变”。我想这大概是我想表达的,即一首诗一样的缓慢的感官享受,而不是用一个单一的没有想象空间的概念支撑一个作品。 ------- -About this film Content: Men and women help each other remove pubic hair. Format: The superimposition between the image (here, "the lens when a man shaves a woman's pubic hair-female lower body" and "the lens when a woman shaves a man's pubic hair-male lower body"), black and white effect. analysis: Many times of dissolution in the middle: through the dissolution of images, people can see the effect of superposition of male and female genitals, which means deliberately "blurring" the gender difference so that it looks like a man and a woman. "Neutral". The beginning and the end: the erection and "landing" of the male genitals (without dissolution), which is a subjective perspective as a woman. Because I created as a woman. Photos of paintings inserted midway through: bring some fantasy to this scene and add mystery. No shaving pubic hair shaving lens: objective perspective, video art. The meaning of black and white: reduce the component of pornography (or blur it), increase the aesthetic component. The film has about 20 minutes. At different points in time, the specific meanings expressed are also different; like, from one meaning "gradient" to another meaning. It happens that these twenty-minute images are always "gradient". Therefore, the form and content "gradient" together. I think this is probably what I want to express, that is, the slow sensory enjoyment of a poem, rather than supporting a work with a single concept without imagination.

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Little Stories About S.O.S.: Signs Of Solidarity - Group Version Full

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The Group Version consists of two structural parts: 1) The First Part: “32 interpretations of the original S.O.S.” – a performance exhibition that features body as a symbolic model in a medley. In a symbolic order, the piece suggests “emergency” in a limited time frame and in various forms of irony, and describes certain cases of “situated action”, featuring 32 interpretations of the original combinations of S.O.S. as a performance vocabulary. Each of the humorous scenes succeeding each other is coupled with a short graphic animation film by Road Izumiyama (J), which is projected onto the stage before the respective live act. Interpreted by the performers as bodily motions they juxtapose with the graphic motion on screen. This process runs parallel with the written Performance Recipe Book Vol. 1 which contains performance instructions. Each performance recipe listed is interpreted by a performer one after the other as a medley of performance language, (re-)forming the body in everyday human activities. Irrelevant in everyday human activity, these symbolic systems addressed become central and are implemented as a concurrency model to give another view of the performance. 2) The second Part: “a progressed plot (short story) based on the first part” – a voyage that transforms the 32 elements into a body to be negotiated in connection with various situational aspects of crime. It is designed as playful and poetic game – a voyage which transforms the 32 elements into a body to be negotiated, in connection with various situational aspects of crime and from the viewpoint of a “dry” spirit of criticism watching human existence. During the live performance, the materials produced by using live video & photo cameras on the stage in order to document the actions with pictures are projected on screen – revealing the manipulation of documentary systems: that which just occurred is still present, while in the next moment it becomes documented as a past event. The progress of the second part runs parallel with the written Performance Recipe Book Vol. 2 which contains a theatrical plot and instructions for each scene – integrating the 32 elements of the first part fragmentarily, metaphorically.

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SABO-FX - Sensation

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Your comments, 'likes' and sharing are much appreciated Download soundtrack ($0.99) itunes.apple.com/us/album/sensation-single/1405707631 play.google.com/store/music/album?id=Bkajrki6tpducuu244gpf2g3s5m&tid=song-Txesacz75mrosaw7qekyfotcub4 amazon.com/Sensation-SaBo-FX/dp/B07FHRPZCY/ref=sr_1_1 open.spotify.com/track/71SUnk8AEXygUrypTW8fyf?si=DE45lp4SQL2KC9XPg4bCWA deezer.com/search/sabo-fx/artist Soundtrack info: Original progressive trance track, recorded and produced by SaBo-FX I named it 'Sensation' because the song reminded me of the old-school Sensation parties and anthems. Models (in order of appearance): 00:07 Anne de Paula 00:11 Alexis Ren 00:13 Vita Sidorkina 00:15 Danielle Herrington 00:43 Haley Kalil 00:51 Lais Ribeiro 01:36 Barbara Palvin 01:58 Robin Holzken 02:25 Raven Lyn Video credits: I would like to thank Sports Illustrated for providing the amazing footage used in this video! The full length clips are available from their website: si.com/swimsuit/videos Other than being a huge fan of their work, Sports Illustrated is NOT in any way affiliated to me nor to this production. 3D intro Graphics, video editing and design by SaBo-FX. Btw, I shortend the intro but I put a full version in all its glory at the end after the credits. Linkz: sabo-fx.net facebook.com/sabofx twitter.com/sabofx soundcloud.com/sabo-fx Looking for an audio/video producer? Send me a message on [email protected] Audio software used for this production: * Bandlab Cakewalk (Now available for free!!!) * Adobe Audition CC 2018 * VST NI Kontakt * Stylus RMX * VST ReFX Nexus Video software used for this production: * Adobe After Effects CC 2018 * AE plugin Video Copilot Element 3D * Adobe Photoshop CC 2018 (cover artwork)

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