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Voiz Waffle Chocolate - Classroom

This is "Voiz Waffle Chocolate - Classroom" by Ogilvy Asia on Vimeo, the home for high quality videos and the people who love them.

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pubes

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-关于本片 内容:男人与女人互相帮彼此剔阴毛。 形式:影像(这里指,“男人给女人剃阴毛时的镜头-女性的下体”与“女人给男人剃阴毛时的镜头-男性的下体”)之间的叠化,黑白效果。 分析: 中间多次的叠化:通过影像的叠化人们能看到男性与女性生殖器叠加的效果,这意味着有意地去“模糊”性别之间的差别,使之看起来像一个男人和女人构成的”中性人“。 开头和结尾:男性生殖器的勃起和“降落”(无叠化),这是作为一个女性的主观的视角。因为我是作为一个女性去创作的。 中途插入的画作的照片:带给人一些关于这个场景的幻想,增加神秘气息。 无叠化效果的剃阴毛的镜头:客观视角,录像艺术。 黑白的意义:减少色情的成分(或者说将它模糊化),增加美学成分。 影片有二十分钟左右,在不同的时间点,表达的具体含义也不一样;如同,从一个含义“渐变”到另一个含义。恰好这二十分钟的影像也总是在“渐变”。所以是形式和内容一起“渐变”。我想这大概是我想表达的,即一首诗一样的缓慢的感官享受,而不是用一个单一的没有想象空间的概念支撑一个作品。 ------- -About this film Content: Men and women help each other remove pubic hair. Format: The superimposition between the image (here, "the lens when a man shaves a woman's pubic hair-female lower body" and "the lens when a woman shaves a man's pubic hair-male lower body"), black and white effect. analysis: Many times of dissolution in the middle: through the dissolution of images, people can see the effect of superposition of male and female genitals, which means deliberately "blurring" the gender difference so that it looks like a man and a woman. "Neutral". The beginning and the end: the erection and "landing" of the male genitals (without dissolution), which is a subjective perspective as a woman. Because I created as a woman. Photos of paintings inserted midway through: bring some fantasy to this scene and add mystery. No shaving pubic hair shaving lens: objective perspective, video art. The meaning of black and white: reduce the component of pornography (or blur it), increase the aesthetic component. The film has about 20 minutes. At different points in time, the specific meanings expressed are also different; like, from one meaning "gradient" to another meaning. It happens that these twenty-minute images are always "gradient". Therefore, the form and content "gradient" together. I think this is probably what I want to express, that is, the slow sensory enjoyment of a poem, rather than supporting a work with a single concept without imagination.

Last download 31 minutes ago

Our True Significance

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Please watch in Fullscreen & HD with sound for best quality. Directed and filmed by James Hollins of Albus Studios. Our story, is the story of the universe. Every piece of everyone, everything you love, everything you hate, and the thing you hold most precious, was assembled by the forces of nature in the first few minutes of the life of the universe. Transformed in the hearts of stars, or created in their fiery deaths. And when you die, those pieces will be returned to the universe in the endless cycle of death and rebirth. What a wonderful thing it is, to be a part of that universe—and what a story, what a majestic story. - Brian Cox, OBE. Our True Significance is a timelapse film displaying some of earth's greatest views. Our goal was to show people that no matter how small you feel compared to a mountain, or how trivial you feel when gazing up at the stars, we are all part of the bigger picture, and not mere observers. After two years in the making and over 12,000 miles travelled, we proudly present Our True Significance. Shot in Tenerife, Italy, France, Scotland, and England. Our True Significance is the compilation of 2 years of timelapse photography, showcases the different places that James Hollins and Joshua Cole travelled to. Throughout their journey, they encountered many unexpected problems, varying from losing all their footage shot from the summit of El Teide, to being eaten alive by the Mighty Midges in the Scottish Highlands. However, more importantly they had an incredible time and gained numerous memories, which will never be forgotten. James Hollins: "I can honestly say that without the support from my longest serving friend, Josh, that this film would not have been made. If it's hiking up a mountain in 40C degree heat wearing 30KG backpacks, or being in need of rescue after falling in a swamp, Josh has always been by my side to help me through. Cheers mate!" If you have any questions about the film, we welcome you to write a comment and look forward to answering any we receive. We hope you enjoy the film. Equipment Used: Kessler Cineslider 5' + ORACLE Control System - kesslercrane.com Canon 5Dii Canon 7D Canon 16-35mm 2.8 Canon 24mm 1.4 Nikon 14-24mm 2.8 Lee Filters Manfrotto Tripods FStopGear Bag Available in 4K Licensing details or alternative inquiries: To keep up to date and see more of our productions, please follow us on: Facebook - facebook.com/wildernessmedia Twitter - twitter.com/WildernessMedia Instagram - instagram.com/wildernessmedia/ Music: Rebirth - Thomas Bergersen, Nick Phoenix, and Michal Cielecki. Licensed by Extreme Music

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The Bells Of Chernobyl -Ten Years After

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The Bells of Chernobyl - Ten Years After mussil.eu/chernobyl/ A co-production for Tele Images International 54 minutes Released 2000 by Filmakers Library This fast paced and chilling story of the Chernobyl disaster, pieced together from eyewitness accounts and historic film footage, shows a cover up of epic proportions. April 26, 1986 marked the day of no return for the residents of Pripyat, just north of Kiev. It was here that Units 3 and 4 of the nuclear reactor of Chernobyl exploded, spewing radiation as far as Scandinavia and Japan. It was here that the dangers were kept from the residents, who witnessed "outsiders in strange suits" with geiger counters come to "clean up" the plant. It was days before the government decided to evacuate the population, telling the residents they would return shortly. Pripyat is still uninhabitable. This was the biggest disaster of the industrial age. More radiation was unleashed than at Hiroshima and Nagasaki. Vegetation, cattle, milk, and even firewood was, and continues to be, contaminated all over Belorus and Russia. A whole generation is growing up surrounded by sickness and death. As the spectre of failing nuclear reactors looms large, especially in the former Soviet Union, this film will forever be a chilling reminder of the potential for disaster. Diected by: Kurt Langbein, Jaroslaw Kamienski, Bunkichi Takanashi, Tamara Hrush, Anna Bassova Edit: Kirk von Heflin Cinematography: Stephan Mussil aac BVK, Adam Fresko, Noboru Nishimura Produced: Kurt Langbein, Langbein & Partner Coproduced: RTL, TV Asahi, Tele Images, TVP, TV Belarus, TV Ukraine.

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