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Amy Nicole Moore-Miss November Playboy Slovakia

Amy in and out of her sexy lingerie.

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pubes

vimeo

-关于本片 内容:男人与女人互相帮彼此剔阴毛。 形式:影像(这里指,“男人给女人剃阴毛时的镜头-女性的下体”与“女人给男人剃阴毛时的镜头-男性的下体”)之间的叠化,黑白效果。 分析: 中间多次的叠化:通过影像的叠化人们能看到男性与女性生殖器叠加的效果,这意味着有意地去“模糊”性别之间的差别,使之看起来像一个男人和女人构成的”中性人“。 开头和结尾:男性生殖器的勃起和“降落”(无叠化),这是作为一个女性的主观的视角。因为我是作为一个女性去创作的。 中途插入的画作的照片:带给人一些关于这个场景的幻想,增加神秘气息。 无叠化效果的剃阴毛的镜头:客观视角,录像艺术。 黑白的意义:减少色情的成分(或者说将它模糊化),增加美学成分。 影片有二十分钟左右,在不同的时间点,表达的具体含义也不一样;如同,从一个含义“渐变”到另一个含义。恰好这二十分钟的影像也总是在“渐变”。所以是形式和内容一起“渐变”。我想这大概是我想表达的,即一首诗一样的缓慢的感官享受,而不是用一个单一的没有想象空间的概念支撑一个作品。 ------- -About this film Content: Men and women help each other remove pubic hair. Format: The superimposition between the image (here, "the lens when a man shaves a woman's pubic hair-female lower body" and "the lens when a woman shaves a man's pubic hair-male lower body"), black and white effect. analysis: Many times of dissolution in the middle: through the dissolution of images, people can see the effect of superposition of male and female genitals, which means deliberately "blurring" the gender difference so that it looks like a man and a woman. "Neutral". The beginning and the end: the erection and "landing" of the male genitals (without dissolution), which is a subjective perspective as a woman. Because I created as a woman. Photos of paintings inserted midway through: bring some fantasy to this scene and add mystery. No shaving pubic hair shaving lens: objective perspective, video art. The meaning of black and white: reduce the component of pornography (or blur it), increase the aesthetic component. The film has about 20 minutes. At different points in time, the specific meanings expressed are also different; like, from one meaning "gradient" to another meaning. It happens that these twenty-minute images are always "gradient". Therefore, the form and content "gradient" together. I think this is probably what I want to express, that is, the slow sensory enjoyment of a poem, rather than supporting a work with a single concept without imagination.

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12th Night_(IN)difference. Part 1: Return

vimeo

(IN)difference, Part 1: Return. Created by Vinci Mok. Performer: Vinci Mok. Refer to a painting of Marritte: “La Tentative de l’impossible” and a performance of Yves Klein: “Blue Women Art”, I created “(IN)difference”. While men’s products are always blue and women’s products are always pink ☺, in this performance, I decided to let male performer painted blue color on female performer and she painted the pink color on his body too. Then they measured the length of the body of the other: the head, the nose, the chest, the length of the arm, the leg, etc. And cut the length of the rope. We always have an expectation in couple. We forgot that we have the difference between us. But we’re always indifferent to see that, until 2 lovers separated apart. The role of the 3rd performer, she looked like an outsider who observed their relationship. She erased their traces on the floor with her hairs’ white color. Invited artist: Vinci Mok, studied Drama at HK Academy For Performing Arts,but instead just focus on theatre work and Butoh dance,she also working currently as dancer,physical artist ,performance artist, journal writer ,film art director and for sure the life drawing model in HK and other different Asian countries. Performance festival: 12th Night. Exhibition Concept: Wong Wai Yim Organizers: Wong Wai Yim, Philippe Charmes; Presentinart.com Photographer & cameraman: Ariom Leung, Kenny To, Syren Johnstone, Alan Yau, Eleanore. Presentinart.com

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extraits de la performance dégrafer l'espace - 15 minutes couleur sonore 2014

vimeo

extrait de la performance dégrafer l'espace, générateur, gentilly, avril 2014 Dégrafer l’espace est une installation hybride activée par des corps nus en mouvement. Carole Rieussec et Enna Chaton créent avec Dégrafer l’espace un lieu fictionnel, poétique et atypique composé de vidéo-poèmes, sculptures sonores, actions sonores et photographiques. Enna Chaton : entraîne les participants à fabriquer de l’instant, de l’image pour la photographie ; elle les guide vers un gel du temps. Carole Rieussec : plonge ces mêmes corps dans une temporalité fictionnelle et musicale ; elle joue de sonorités concrètes et de diffusions live in situ. A partir de vidéo-poèmes qu’elles ont créé ensemble : Les hommes aux objets, Le corps écoutants, Aluminuim folies, Cartoon, Nous n’irons pas ; elles proposent des partitions écritent pour le lieu. Chaque partition est un enchaînement de séquences avec une mise en espace singulière des images, des corps et des sons. Dégrafer l’espace convie le public à une immersion perceptive, il déambule au rythme des séquences et de leur dévoilement dans le lieu. Tout l’espace se déplie dans cette installation performative. Le groupe de participant.e.s se forme à partir d’un appel à participation sur les réseaux sociaux. Chacun.e est bénévole, amateur.e. Un temps de résidence est nécessaire pour la rencontre avec les bénévoles et l’écriture de nouvelles partitions.

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