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SEXY HOT NUDE MUSIC VIDEO - "BUNNY GIRL"

Hear the original ZZ Top Eliminator rehearsal tapes at: vimeo.com/215450297 +++ This Video and Music by Linden Hudson. Who is Linden Hudson? CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (ZZ Top never opted to give Linden credit, nor did the band opt to pay Linden, they treated him like dirt) (there was a limited lawsuit, which took years and brought Linden limited financial compensation) +++ LICKLIBRARY DOT COM (2013 interview) ZZ TOP'S BILLY GIBBONS SAID: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties) ++ MUSICRADAR DOT COM (2013 interview with ZZ Top's guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top's sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” +++ Read Linden's story of the making of the super-famous ZZ Top ELIMINATOR album at: flickr.com/people/[email protected]/ +++ The Linden Hudson story has returned after more than 30 years to haunt Billy Gibbons. The internet made that possible. +++ LINDEN HUDSON IS IN WIKIPEDIA (do a "find" on each page for Linden) GO TO: en.wikipedia.org/wiki/ZZ_Top +++ AND GO TO: en.wikipedia.org/wiki/Eliminator_(album) GO TO: en.wikipedia.org/wiki/Sharp_Dressed_Man +++ AND GO TO: en.wikipedia.org/wiki/Legs_(song) GO TO: en.wikipedia.org/wiki/Got_Me_Under_Pressure +++ AND GO TO: en.wikipedia.org/wiki/TV_Dinners_(song) GO TO: en.wikipedia.org/wiki/Musical_plagiarism ++ ABOUT THIS VIDEO "BUNNY GIRL": Guitars, Voices, Music by L Hudson. Cricket sounds recorded by Linden in Austin on Zoom recorder. The hot nude model is Liz Ashley (has modeled for Playboy, Penthouse, Hustler). Video shot by Linden in his house. ++(In 2015 Linden's Vimeo channel received 3.2 million views. In the 5 year period of 2010 to 2015 it was 8.5 million views.

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-关于本片 内容:男人与女人互相帮彼此剔阴毛。 形式:影像(这里指,“男人给女人剃阴毛时的镜头-女性的下体”与“女人给男人剃阴毛时的镜头-男性的下体”)之间的叠化,黑白效果。 分析: 中间多次的叠化:通过影像的叠化人们能看到男性与女性生殖器叠加的效果,这意味着有意地去“模糊”性别之间的差别,使之看起来像一个男人和女人构成的”中性人“。 开头和结尾:男性生殖器的勃起和“降落”(无叠化),这是作为一个女性的主观的视角。因为我是作为一个女性去创作的。 中途插入的画作的照片:带给人一些关于这个场景的幻想,增加神秘气息。 无叠化效果的剃阴毛的镜头:客观视角,录像艺术。 黑白的意义:减少色情的成分(或者说将它模糊化),增加美学成分。 影片有二十分钟左右,在不同的时间点,表达的具体含义也不一样;如同,从一个含义“渐变”到另一个含义。恰好这二十分钟的影像也总是在“渐变”。所以是形式和内容一起“渐变”。我想这大概是我想表达的,即一首诗一样的缓慢的感官享受,而不是用一个单一的没有想象空间的概念支撑一个作品。 ------- -About this film Content: Men and women help each other remove pubic hair. Format: The superimposition between the image (here, "the lens when a man shaves a woman's pubic hair-female lower body" and "the lens when a woman shaves a man's pubic hair-male lower body"), black and white effect. analysis: Many times of dissolution in the middle: through the dissolution of images, people can see the effect of superposition of male and female genitals, which means deliberately "blurring" the gender difference so that it looks like a man and a woman. "Neutral". The beginning and the end: the erection and "landing" of the male genitals (without dissolution), which is a subjective perspective as a woman. Because I created as a woman. Photos of paintings inserted midway through: bring some fantasy to this scene and add mystery. No shaving pubic hair shaving lens: objective perspective, video art. The meaning of black and white: reduce the component of pornography (or blur it), increase the aesthetic component. The film has about 20 minutes. At different points in time, the specific meanings expressed are also different; like, from one meaning "gradient" to another meaning. It happens that these twenty-minute images are always "gradient". Therefore, the form and content "gradient" together. I think this is probably what I want to express, that is, the slow sensory enjoyment of a poem, rather than supporting a work with a single concept without imagination.

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