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Portraits aux nues

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(Nude Praise Portraits) Réalisé par Jean-Paul Noguès Documentaire Expérimental ou Installation Vidéo 2 écrans - 2014 - 49' Dans son film d'animation L'Idée (1932), Berthold Bartosch personnifiait le concept d'idée par une femme nue. Idée et/ou femme que les dictatures condamnent mais qui survit à ceux qui la combattent et à ceux qui meurent pour la défendre. Depuis quelques années, nous assistons à l'utilisation croissante de la nudité par des femmes qui revendiquent leurs droits : des mouvements comme les Pussy Riot, les Femen, Free the Nipple, ou encore Aliaa Elmahdy, alors qu’une montée du conservatisme se poursuit. La nudité comme vecteur d'idées, utilisée hors des codes érotiques établis, interpelle et dérange encore au XXIe siècle. Si la notion d'idée peut être représentée par une femme nue, alors un ensemble de femmes nues peut-il incarner une multitude d'idées par leurs diverses personnalités ? In his cartoon movie, The Idea (1932), Berthold Bartosch personified the concept of idea by a naked woman. Idea and/or woman whom the dictatorships condemn but who survives those who dispute her woman. Idea and/or woman whom the dictatorships condemn but who survives those who dispute her and to those who die to defend her. Since a few years, we assist the increasing use of nudity by women who claim their rights : movements as Pussy Riot, Femen, Free the Nipple, or Aliaa Elmahdy, while a rise of the conservatism continues. The nudity as vector of ideas, used outside the established erotic codes, calls out and still disturbs in XXIth century. Here are 16 women embodying a multitude of ideas. Projections / Screenings : > ELCO 2020 (Entre Largos y Cortos de Oriente) --Margarita, Venezuela - 25 au 28 juin 2020 > Traverse Vidéo 2015 - Installation -- Prép'Art - 18, rue Bayard 31000 Toulouse, France - 18 au 31 mars 2015 > 27e Instants Video - Installation -- Friche Belle de Mai, Marseille, France - 7 au 11 novembre 2014 > Suppléments d'âmes - Installation chez Grains de Lumière -- Galerie La Traverse, Marseille, France – 21 février au 15 mars 2014

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Continuum Infinitum (video loop)

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Resolutions available 4096x4096 (4k), 4096x2160 (super HD), 1920x1080, 1280x720 Continuum Infinitum (c) 2012 by Ben Ridgway "Continuum Infinitum" unfolds before your eyes by revealing finer and finer details emanating from a single point. It is a meditation on the mechanics of time and space as infinite and seamless processes. The film is designed to loop so it essentially has no beginning and no end. Please download and try looping it :) To watch at 1080p I recommend downloading it to ensure smooth playback. REVIEWS Magazine review: Art Ltd Magazine – Currents 2012 New Media Festival Review | 2012 CONTINUUM INFINITUM AWARDS Experimental Animation Award: Cine Toro 2012 | Toro & Cali, Colombia, South America | 2012 INTERNATIONAL EXHIBITIONS Projection & screening: Cine Toro 2012 | Toro & cali, Colombia, South America | 2012 Aired on Fuji TV Network | Japan | 2012 NATIONAL EXHIBITIONS WORLD PREMIERE: Currents 2012 Digital Dome – Institute of American Indian Arts | Santa Fe, NM|2012 Large Scale Projection: The Great Wall of Oakland | Oakland, CA | 2012 Exhibit and screening: The Los Angeles Center for Digital Art (LACD) + New Media Festival LA | Los Angeles, CA As you watch the movie for a minute or so and then look away, you will experience a mild optical illusion that feels as if everything you look at is shrinking away from you. This is caused by the motion after-effect (MAE). It is a visual illusion experienced after viewing a moving visual stimulus for a time (tens of milliseconds to minutes) with stationary eyes, and then fixating on a stationary stimulus. The stationary stimulus appears to move in the opposite direction to the original (physically moving) stimulus. The motion aftereffect is believed to be the result of motion adaptation. Explanation: Neurons coding a particular movement reduce their responses with time of exposure to a constantly moving stimulus; this is neural adaptation. Neural adaptation also reduces the spontaneous, baseline activity of these same neurons when responding to a stationary stimulus. One theory is that perception of stationary objects, for example rocks beside a waterfall, is coded as the balance among the baseline responses of neurons coding all possible directions of motion. Neural adaptation of neurons stimulated by downwards movement reduces their baseline activity, tilting the balance in favor of upwards movement.

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