The best online Vimeo downloader!

want another? paste the URL address of video or song

Orville Command Performance

Choose Quality for download

1280x720 mp4 Download
1280x720 mp4 Download
960x540 mp4 Download
960x540 mp4 Download
640x360 mp4 Download
640x360 mp4 Download
1280x720 video only mp4 Download
1280x720 video only mp4 Download
960x540 video only mp4 Download
960x540 video only mp4 Download
640x360 video only mp4 Download
640x360 video only mp4 Download
audio only m4a Download
audio only mp4 Download

Thumbnail


Thumbnail

TIP: Trouble with downloading?


Try right click on Download Button and select save link (target) as.

Similar videos from site vimeo


TETO PRETO - PEDRA PRETA (MAMBArec, 2018 - Dir. Laura Diaz + Rudá Cabral + Joana Leonzini)

vimeo

▀Pre-order Vinyl (LP) "PEDRA PRETA" mambarec.bandcamp.com/album/pedra-preta / VIDЄØCŁIPЄ // ▀ Roteiro: Laura Diaz ▀ Direção: Rudá Cabral + Laura Diaz + Joana Leonzini ▀ 1º Assistente de Direção: Raffaella Rosset ▀ 2º Assistente de Direção: Miguel Monori ▀ 3º Assistente de Direção: Igor Pedro ▀ Montagem: Rudá Cabral + Laura Diaz ▀ Produção: Mambarec + Planalto ▀ Casting: Laura Diaz ▀ Preparação de Atores/ Coreógrafa: Patrícia Bergantin ▀ Luz Instalativa: MIWI ▀ Beleza e Styling: Alma Negrot ▀ Assistëncia de styling Camila Machado ▀ Direção de Foto: Pedro Barros e Martina Quezado ▀ 1º Assist. Foto: Daniel Zacharias ▀ Gaffer: Tin Tin ▀ 1º Assist. Elétrica: Paulo Moreno da Silva ▀ Fotográfo Still: Gustavo Damas ▀ Iluminadora: Helô Duran ▀ Light Design: Ariel Bemergui ▀ Direção de Arte: Ana Aschar ▀ 1º Assist. Arte: Julia Takamori ▀ 2º Assist. Arte: Luíza Buendia ▀ Produtora Executiva: Renata Zanin ▀ Coordenação de Pós-Produção: Beatriz Mazarak ▀ Direção de Produção: Thaís Vila Nova ▀ 1º Assist.Prod: João Pedro Carvalho ▀ 2º Assist.Prod: Victoria Vilanova ▀ Motorista carro de polícia 1: Aline Vila Nova ▀ Motorista carro de polícia 2: Felipe Seiffer ▀ Animação: Pepapuk Carlos Issa Rudá Cabral ▀ Sequencia de créditos: Laura Diaz y Rudá Cabral ▀ Letterings: Estudio Margem ▀ Assistentes de Montagem:Martina Quezado, Tristian Pae, Pedro Barros ▀ PARCEIROS (FIGURINO) Brechó Itinerante, Eduardo Laurino, Fábia Bercsek, Dashaus ▀ AGRADECIMENTOS Benjamin Serroussi, Alita Mariah, Eduardo Laurino, Dashaus, Brechó Itinerante, Cine Video e Monstercam ______________________________________ MNR#06 - TETO PRETO / PEDRA PRETA (12'') ______________________________________ letra ANDRE SZTUTMAN + CARNEOSSO música TETO PRETO arranjo PEDRO ZOPELAR, SÁVIO DE QUEIROZ produção CARNEOSSO, PEDRO ZOPELAR, SÁVIO DE QUEIROZ gravação HOME STUDIO + ESTÚDIO TRAMPOLIM assistentes de gravação GABRIEL NASCIMBENI , FÁBIO BARROS, HABACUQUE LIMA mixagem PEDRO ZOPELAR, SÁVIO DE QUEIROZ digital master Calyx

Last download 59 minutes ago

Na'nizhoozhi da' nijahigi na' a'ahi (Gallup Motel Butchering)

vimeo

Na'nizhoozhi da' nijahigi na' a'ahi (Gallup Motel Butchering), 2011 Four channel video installation with sound. Duration: Variable loop. The contested space (and place) of the colonized landscape of rural and urban America is often defined by theoretical terms of art that serve to gratify the evolving aspirations of the Western imagination. While the non-place of supermodernity (described by Augé) may exist for recent visitors, occupiers and observers without a cultural, social, and psychological connection to this land spanning, say thousands of years — as is the case with the Indigenous people of this Hemisphere — it is not part of the lexicon of American Indians. In spite of the commerce and velocity brought about by the market, Indigenous people will continue to perceive and engage the land and its resources in a manner we deem to be culturally sensible regardless of the external mediating forces of the colonizer, or how these mediating forces might be appropriated. The non-places inevitably brought about by the market have been constructed upon the land, cultures, and communities of Indigenous people. In this regard, a hotel constructed on the traditional homelands of the Navajo people for tourists to temporarily gaze at the historicized simulation of an imagined past does not necessarily render it a non-place for Indigenous People. It also functions as a temporary space for a Navajo woman to butcher a sheep and prepare meat for a family feast. It is a place where a cultural process may seem irrational in theoretical terms, but in pragmatic Indigenous terms, it is a place to perform a transposition of past and present, and to acknowledge the interconnectedness of land, culture and community. This four channel video installation examines the contested space of tribal homeland, tradition, globalism, commerce, cultural continuity and intersubjective gaze. The installation’s gritty hyper-real depiction of the butchering event (shot with multiple HD cameras with numerous perspectives and frame rates) reveals how a traditional act of cultural self-determination can appear violent and disorientating within the context of a “non-place” and pose a poetic, metaphorical transgression against the assumptions of the Western imagination.

Last download 6 minutes ago